Italian High Renaissance Painter and Inventor, 1452-1519
Gemälde ID:: 10075
Die Taufe von Christus 1472-1475. Oil and
tempera on wood.
Uffizi Gallery,Florence 1472-1475. Ölen Sie und tempera auf Holz. Uffizi Galerie, Florenz Italian High Renaissance Painter and Inventor, 1452-1519
Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
Gemälde ID:: 10739
Die Taufe von Christus 1630-35, oil on canvas, Mus??e des Beaux-Arts, Lyons 1630-35, Öl aufLeinwand, Musee des Beaux-Künste, Lyons Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Gemälde ID:: 19845
Die Taufe von Christus 1490-1500
Kunsthistorisches Museum, Vienna. 1490-1500 Kunsthistorisches Museum, Wien Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Die Taufevon Christus mk86
c.1440-1450
Tempera on wood
168x116cm
London,National Gallery mk86 c.1440-1450 Tempera auf Holz 168x116cm London, Nationale Galerie Italian Early Renaissance Painter, ca.1422-1492
Die Taufe von Christus mk86
c.1475
Tempera on wood
177x151cm
Florence,
Galleria degli Uffizi.
der Tempera von mk86 C. 1475 auf Holz 177x151cm Florenz, Galleria degli Uffizi. Italian Early Renaissance Sculptor, ca.1435-1488
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
Gemälde ID:: 33532
Die Taufe von Christus mk86
c.1505
Oil on wood
128x97cm
Bruges,Groeningemuseum
das Öl von mk86 C. 1505 auf Holz 128x97cm Bruges, Groeningemuseum b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
Die Taufe von Christus mk86
c.1623
Oil on canvas
263.5x186.5cm
Vienna,Kunsthistorisches Museum
das Öl von mk86 C. 1623 auf Leinwand 263.5x186.5cm Wien, Kunsthistorisches Museum Italian Baroque Era Painter, 1575-1642
Die Taufe von Christus mk131
1847 Painted by official assignment for the baptismal chapel of San Nicolas of Chardonnet, in Paris, Is one of the
scarce incursions of corot in to painting decorative. mk1311847, der von offizieller Zuweisung für die Taufkapelle von Sankt Nicolas von Chardonnet, in Paris, Angestrichen Wird, Ist einer der knappen Einbrüche von corot zustreichen in dekorativ. an. French Realist Painter ,
1796-1875
Die Taufe von Christus mk156
1445
Tempera on panel
167x116cm
National Gallery,
London
der Tempera von mk156 1445 auf täfelt 167x116cm Nationale Galerie, London Italian Early Renaissance Painter, ca.1422-1492
Die Taufe von Christus mk156
c.1470
Oil on panel
177x151cm
das Öl von mk156 C. 1470 auf täfelt 177x151cm Italian Early Renaissance Sculptor, ca.1435-1488
Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
Gemälde ID:: 40307
Die Taufe vonChristus mk156
c.1515
OIl on oak
59.7x76.3cm
das ÖL von mk156 C. 1515 auf Eichen 59.7x76.3cm Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
Gemälde ID:: 50882
The Baptism of Christ mk216
Today piero is widely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
Gemälde ID:: 52744
The Baptism of Christ mk223
today piero is wiely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
Italian High Renaissance Painter and Inventor, 1452-1519
Gemälde ID:: 58583
The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo Italian High Renaissance Painter and Inventor, 1452-1519
Gemälde ID:: 63050
The Baptism of Christ 1661 Ceiling fresco Conventual Church of St. John, Valletta, Malta Artist: PRETI, Mattia Painting Title: The Baptism of Christ , 1651-1700 Painting Style: Italian , , religious Italian Baroque Era Painter, 1613-1699
Gemälde ID:: 64775
The Baptism of Christ Oil on canvas Mus?e du Louvre, Paris , CORNELIS VAN HAARLEM , The Baptism of Christ , 1551-1600 , Dutch , painting , religious
Gemälde ID:: 73430
The Baptism of Christ ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr Italian Early Renaissance Sculptor, ca.1435-1488
Gemälde ID:: 81516
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
Gemälde ID:: 81520
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Gemälde ID:: 82983
The Baptism of Christ xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg
Date 1630 - 35
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Gemälde ID:: 87743
The Baptism of Christ Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 233.2 cm (91.8 in). Width: 160.1 cm (63 in).
cjr Spanish
1618-1682
Bartolome Esteban Murillo Galleries
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Gemälde ID:: 88769
The Baptism of Christ 1630-35
Medium Oil on canvas
cyf (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
